You know, it does look a bit wonky.
Letter to a Christian friend, number two.

(Previously) Wordless Wednesday

Animator's atelier, Roppongi, Tokyo 2001


I posted this entry as a contribution to Wordless Wednesday. But several people emailed me, asking to explain it. So, readers, this Wednesday entry is no longer wordless.

The pictures show an art installation in the guise of an animator's studio. (it was actually in a gallery space on the top floor of a mega-trendy furniture design store, on the Gaien-Higashi Dori in the racy Tokyo night-club district of Roppongi)

I have the artist's name written in kanji somewhere, but really can't decipher it. The animator was a student who developed a historical interest in the old pencil-test techniques which animators used in order to get the flow right on paper, before ink 'n' paint guys put the images on cell.

Rather than settle for the rough drawings of a pencil-test, this young man decided he would make proper pencil drawings (with shading and all that stuff) and animate them. That means one gets so-called "boil", where the outlines and pencil strokes don't quite line up from cell to cell, so the lines look a little like they're wiggling.

He worked on the hoof; completing a sequence, photographing the paper, and projecting it from his Mac before he stuck the pencil drawings on the wall. The paper images appeared in random order, I might add, so the observer finds it difficult to follow the sequence of movement. That makes it more into installation art than just a public workshop space.

The animator was taking a breather when I visited, so that's really all I know.

Maybe next week, the post will stay wordless!

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